Or Did You Ever Wonder What It’s Like To Have Hot Flashes? a pantoum after The Souls of the Mountain by Remedios Varo Imagine a nebulous landscape covered with budding volcanoes See yourself emerge from one of its peaks head heavy with slumber Gasping in the rarefied air you enter a liminal space where unlucky few Forever trapped past conception are condemned to parthenogenesis See yourself emerge from one of its peaks head heavy with slumber Think of your skin as a primed canvas permeable to imprints Forever trapped past conception, condemned to parthenogenesis See how the change of seasons leaves indelible marks all over your body Think of your skin as a primed canvas, permeable to imprints, You yearn for the sight of a veil billowing on a deserted deck’s caravel See how the change of seasons leaves indelible marks all over your body Like the sfumato created by the passage of a candle over moist paper or canvas You yearn for the sight of a veil billowing on a deserted deck’s caravel Suddenly a cooling current lassoes drifts unfurling into ashen flames Like the sfumato created by the passage of a candle over moist paper or canvas Or a haze hiding a palimpsest of thoughts carried by windswept fumes First published by Rusted Radishes
Or Would it Have Made a Difference, Had I Known? a pantoum after The Bride by Safia Farhat Little did I know that when I'd wear my wedding gown I'd be crossing a revolving door to a path of no return At six I pricked my fingers with my needlepoint Learning to be the best bride a man could wish for I'd be crossing a revolving door to a path of no return Away from clearings where I'd dip my feet into the stream Learning to be the best bride a man could wish for As I'd try not to burn myself with pots and pans Away from clearings where I'd dip my feet into the stream I bit my tongue to learn my mother-in-law's recipes As I'd try not to burn myself with pots and pans Little did I know how heavy unwanted weights could be I bit my tongue to learn my mother-in-law's recipes Felt my heart shrink year after year till it lost its beat Little did I know how heavy unwanted weights could be With greying hair, I still feel the need for a warm touch Felt my heart shrink year after year till it lost its beat Night after night I slip silently between the sheets With greying hair, I still feel the need for a warm touch Recapture an elusive smile in a face with receding features First published by California Quarterly
Or Would She Ever Shed Her Many Faces?
After Born Again by Remedios Varo
She searches for clearings
to gather sunrays
on which she runs
her fingers,
listens to the mute music rise,
curl into a bird’s song.
Lapis lazuli brushed over
eyelids lined with kohl
curve into the Eye of Horus,
land in the midst of a palm.
Follow the paths of rivers and rivulets, sense the echoes of dreams,
trap them in a net, hide them inside a Havana box filled with down,
then weave them into the many faces buried within you!
Warned against stagnant waters,
she awaits the right time
to capture the moon’s
nascent reflection,
knows she has to cross this threshold,
unite all masks collected
in deepest darkness,
espouse her shadow,
contemplate her unquenched thirst
without drowning.
Yours must be an inner vision not a mere sight, you could not withstand
facing what you bear within! Like a midwife, go on delivering dreams
and illusions, don’t worry if yours aren’t fulfilled!
Her mirror grows into a pond,
a deep well reveals
veiled shapes
shedding
gilded gowns, one by one.
She slips in lunar light,
hangs onto its asperities,
climbs mountains
with seven-league boots,
soars without wings.
First published by Sukoon Literary Journal
Hedy Habra is a poet, artist and essayist. She has authored three poetry collections, most recently, The Taste of the Earth (Press 53 2019), Winner of the Silver Nautilus Book Award, Honorable Mention for the Eric Hoffer Book Award, and Finalist for the Best Book Award. Tea in Heliopolis won the Best Book Award and Under Brushstrokes was finalist for the Best Book Award and the International Book Award. Her story collection, Flying Carpets, won the Arab American Book Award’s Honorable Mention and was finalist for the Eric Hoffer Award. Her book of criticism, Mundos alternos y artísticos en Vargas Llosa, examines the visual aspects of the Peruvian Nobel Prize Winner narrative. A sixteen-time nominee for the Pushcart Prize and Best of the net, and recipient of the Nazim Hikmet Award, her multilingual work appears in numerous journals and anthologies. https://www.hedyhabra.com/