Gnostic Gospels To be real is to be surrounded by mystery. – James Joyce He asks if it’s remotely possible for me to love, me the sports agnostic, to love the subtlety of a perfectly executed give-and-go or pick-and-roll and I say yes, of course, in this moment of your explaining yes, you shining zealot awe streaming from your face and me your disciple yes right now I am desperate to understand, be sanctified, worship, like afternoons in the den with my father-in-law, physicist’s yellow pad & sharpened pencils, unfolding reverse origami into Maxwell’s equations: in the beginning was the unit charge and God said It is Good! until two hours later two cryptic pages of hieroglyphs have magnified my soul and all, as in everything, all that matters is electromagnetism. Now years later I try to convert you to the gospel of basketball and physics but we flounder, failed acolytes of field theory & screen plays, more like a couple of lesser moons in wobbly orbit compelled by gravity we can’t quite grok, knowing for certain only this: velocity, mass, attraction – all metaphor for God and this poem some guy thinks he can write about the universe and you and I trying to hang together in it, the flow and flux and everything connected like ten players on the court or ∇ x E = ∂B ÷ ∂E but never two seeds of experience budding the same blossom, so really isn’t it about time for us to trust our own gravity and levity and delta E the change in energy over time, how many years has that been for us now? Here is where we write our own gospel: the less we understand the greater the mystery, my love, and the more undeniably real. { ∇ x E = ∂B ÷ ∂E is pronounced “the Maxwell-Faraday equation” }
Order & Novelty Raffiniert ist der Herrgott, aber böshaft ist Er nicht. A. Einstein Time flies like an arrow. Fruit flies like a banana. G. Marx O most supremely raffinierte Creator of the universe, subtle art Thou: elegant as e = mc2, sublime as gravitational lensing, though some of us confess (it being good for the soul) to wondering: is subtle the aptest translation of Herr Einstein’s bon mot? You, Herrgott, you fan the deck, we draw the Queen of Hearts and lo! she has become the Ace of Spades, O supremely Crafty One, O Wily, and just when we convince ourselves you’ve dealt us a full house of truth we discover you’re holding a straight flush but poker metaphors are impotent before the majesty of your subtle hole cards, even hole card itself a metaphor for the metaphor of dice Herr Einstein protests you would never roll with your universe whose middle name is uncertainty. Nevertheless we are in it and it in us and You are It and we mostly agree on the nicht böshaft part, not malicious, unless enshrouded within deep reality awaits some malign concealment we have not yet sorted. What is, after all, under the hood? I rap my knuckles on this desk, solid white oak cellulose, spiraling near infinite carbon strings 6 protons 6 neutrons indeterminate electron clouds racked up and layered within their quantum strictures but mostly really just in-between-ness and emptiness – looks solid, feels solid, but what says Schrödinger’s cat and why these bruises on my knuckles? O pervasive and untouchable yet so tangibly solid fragrant roaring gyrating utterly convincing Creation, where are You going and can I come along? Final confession: lately I’ve begun to fear entropy, in particular my own, waiting like a letter from the government one doesn’t want to open, certified fate of disorderliness decreed by your Second Law: Time’s Arrow is unloosed and bound to hit the bullseye, same damn one for each of us whether Great Basin bristlecone 5,000 years or womb to tomb 21 days for fruitfly. Is it time to call, time to fold, time to peel one last banana? Even time to make sense of these lines? Alas, the hour must come to unspiral and unstring my own carbon, reshuffle, reorder, each of us bequeathed this ultimate novelty: one last chance to join you, O supremely Creative, and together make us a new thing.
Bill Griffin is a naturalist and retired family doctor who lives in rural North Carolina. His poetry has appeared in NC Literary Review, Tar River Poetry, Southern Poetry Review and elsewhere. His ecopoetry collection, Snake Den Ridge, a Bestiary (March Street Press 2008), is set in the Great Smoky Mountains. Bill features Southern poets, nature photography, and microessays at his blog: http://Griffin.Poetry.com.