In The Voice Of Émilie Du Chatelet (1706-1749) She was a great man whose only fault was being a woman. Voltaire I cannot calculate why the stars governed my birth with more genius than graceful movement of hand or foot. I had a bold imagination lodged in a girl's body grown awkwardly tall and thin, a sunflower towering over the garden's petite blossoms. Father shook his head and hired tutors to perfect my feminine skills, hoping I would grow more poised, become charmingly coy. My hands played the spinet, accompanied by candles and fresh-cut flowers. My passion took science for a lover unbuttoning the galaxy's shirt and watching planets spill into my lap -- each one round and radiant as it spun on its axis of spatial equations that drew light, infused me with dreams of Newton. His presence haunted my sleep along with a falling moon. His theories filled my senses -- like an aromatic blend of snuff or sandalwood. And to that study I gave sheer devotion, undisclosed the spellbound girl -- not even my husband glimpsed when I pleased him with the unlacing of silk brocade, moonlight bleaching my breasts that had grown quite full from nursing a son. A small being I feared could threaten my artistry or health. Years later, my anxiety proved true when I died six days after giving birth to another child. This time a daughter, my sweet enfant who cried for milk or love as I passed into a garden far beyond her nursery window. Marble sea nymphs poured water from a fountain while I knelt surrounded by trees, lost under bridal-white skirts of glare. Someone Immortal had asked for my hand -- and glancing back, I realized Émilie as a name might always walk in the shadow of Emile but as a woman she walked on the horizon of ideas. Her Milky Way a bridge between spirit and matter, the head and heart.
In an age when society recognized men as the precise and radical thinkers who would bring discovery to the Age of Enlightenment, Émilie du Chatelet defied the boundaries of her gender and class by pursuing her love of science While translating and expounding on the theories of Isaac Newton, she still found herself immersed in the feminine side of her nature, cultivating her maternal instincts and a sensitivity for the aesthetic things in life She once remarked, “let us decide on the route that we wish to take to pass our life, and attempt to sow that route with flowers.”
Woman Primordial There are ways in, journeys to the center of life, through time; through air, matter, dream and thought. Linda Hogan Among the ruins of a hillside mine, turquoise still lingering in its vein, they found a woman's skull, ancient in age, bronzed in tone. Her facial bones were angular and her teeth intact -- ground smooth from chewing on root and bark, mincing nut, seed and grain. She clenched the earth's yield, gifts of a wild garden -- and for that, her tongue uttered praise to the elemental gods. Her mouth haunted by the aftertaste of their grass and soil, air and water. Her pristine head now becomes our lamp lit by awe and burning off shadows of the unknown. We touch her, our fingers probing the polished relic for clues. A song of how sparingly we lived so long ago when we wore the land blessed as fertile cloth, belted with stars and pinned together with rain. The blue silhouette of mountains sleeping in the distance.
Wendy Howe is an English teacher who lives in southern California. She often draws inspiration for her poetry from visual art, ancient cultures/myths, history and personal experience. Her work has been featured in numerous journals both on-line and in- print ranging from speculative fiction to historic profiles. Most recently her work has appeared in The Copperfield Review, Carmina Magazine, The Poetry Salzburg Review, Sun Dial Magazine and Eye To the Telescope. Currently, she’s working on her first collection of poems and hopes to complete it by next summer.